Quite A Lady

Tippi Hedren.

I couldn’t let the month end without sending belated birthday wishes out to a very special neighbor of ours.

This woman, like many good neighbors, works a lot around the house, does a ton of volunteer work, as is famous for loving her cats.

But in her case, the house she putters around is called the Shambala Preserve, and much of her volunteer work goes towards housing and feeding her cats – some which weigh hundreds of pounds!

You see, this special neighbor happens to be movie legend Tippi Hedren, who rescues lions, leopards, ligers, tigers, and bobcats at her preserve near Acton, California.

Tippi’s Shambala Preserve, which is maintained by the Roar Foundation, grew out of a film that she starred in and produced in the early 80s called Roar, which was filmed at Shambala’s current home on Soledad Canyon Road.

She began rescuing exotic cats a short time later, and today Shambala houses over 70 exotic wild animals, including Michael Jackson’s Bengal tigers which she acquired when Neverland Ranch closed.

Working around wild animals is a cakewalk compared to the stress Tippi must have felt making her film debut in 1963 for legendary director Alfred Hitchcock in The Birds.

Before this, Tippi worked as a model. Hitchcock was first captivated by her striking Nordic beauty after seeing her in a television commercial. She was directed by Hitchcock again the following year in Marnie.

While her days with Hitchcock are well documented, most people forget that she also appeared in Charlie Chaplin’s final film in 1967, called A Countess From Hong Kong. In all likelihood, Tippi is the only person to have ever worked for both of the two knighted English film masters.

Countess was filmed in London after Chaplin was exiled from the United States. Tippi co-starred in the film with Marlon Brando, Sophia Loren, and Chaplin’s own son Sydney.

Tippi, who celebrated a birthday on January 19, works tirelessly to support Shambala, to get laws passed that prevent the breeding of exotic cats as pets, and somehow still finds time to appear in the occasional film and television role.

Tippi will be at ChaplinFest this weekend to help us honor the 75^th anniversary of the release of Chaplin’s landmark silent comedy Modern Times, which had its final scene filmed just a few miles from the Shambala Preserve. ChaplinFest kicks off the evening of Friday, February 4, and continues all day Saturday, February 5 at the William S. Hart Park.

We will be placing a monument honoring the final scene inside the park on Saturday at 3 PM, and later that evening, Tippi will be interviewed by Leonard Maltin before a dinner and a special screening of Modern Times inside Hart Hall.

Tickets are still available! For information, please check here.

And speaking of ChaplinFest, did you happen to catch our article on the cover of AOLNEWS.COM yesterday? You can read it here. Here is a picture from the home page yesterday.

“Road Rage” Spielberg-style

I’m not sure if the term “road rage” had been coined in 1971, but I remember learning about it as a boy watching the psychological-thriller Duel, which was the first commercial film directed by a young Steven Spielberg.

Yesterday I wrote about Mystery Mesa, where the killer truck plunges off a cliff at the film’s conclusion. Today, we will take a look at some of the other sites used in the film around the Santa Clarita Valley.

Duel is a simple story about a traveling salesman, played by Dennis Weaver, who is stalked in his red 1971 Dodge Valiant by a huge rusty gasoline tanker truck. The driver of the truck is never seen, and the motive for the chase is never made clear.

Steven Spielberg was only twenty-five when he made the film, which was created as a made-for-television movie, but also had theatrical releases overseas and in a limited number of venues in America. It was based on a story written by science-fiction and fantasy author Richard Matheson, who got the idea when he experienced road rage from a truck driver on the day that JFK was assassinated.

Most of the film was shot over thirteen days around the Acton area of the Santa Clarita Valley, far from the urban encroachment of Los Angeles (at that time). Dennis Weaver was Spielberg’s choice for the role, but he only was able to sign the actor the night before filming began.

Since 1971, much of the open desert has been covered with tract housing, but a few of the locations still look much as they did back then. The tunnel used during the school bus scene is near Acton on Soledad Canyon Road. Nearby is Le Chien, a French restaurant on Sierra Highway north of Canyon Country, which was known as Chuck’s Café in the film. It was here that Weaver’s character confronts the man he believes to be the driver.

The gasoline truck used in the film was a rusty 1955 Peterbilt 281 which carried license plates from several states to subtly imply that the trucker had killed other drivers previously. It was destroyed at the film’s conclusion when it tumbled down the face of Box Canyon at Mystery Mesa in Canyon Country, which is visible from Vasquez Canyon Road. For the film’s theatrical release, additional scenes were shot which required the acquisition of additional trucks. At least one of the vehicles still exists in a private collection in North Carolina.

The roar that the truck makes when it tumbles over the cliff was later incorporated into Spielberg’s film Jaws, during the death of the shark. As the director later stated, it was “my way of thanking Duel for giving me a career.”

(THIS JUST IN: I found this great web site that has most of the filming locations of DUEL. Check it out here.)